Why Otari’s ‘fifty-fifty’ series is really one hundred percent on the button

Why Otari’s ‘fifty-fifty’ series is really one hundred percent on the button

Spec comparison is only part of choosing a two track. Consider these features that distinguish Otari's 5050 from the overrated domestic machines.

No phonos or jacks Signals are balanced and on XLR's, both in and out. A rear panel switch lets you select +4dBm or -10dBm reference level for signals.

Balanced microphones (on XLR's) also include a 20dB pad switch for compatability with pre-amps and high output mikes. Line and microphone inputs can be mixed with the front panel controls.

Flux choice Rear panel switches let you choose between three flux level references, and either NAB or IEC equalisation. The status is displayed by front panel LED's, next to the meters.

Reference tone at the start of each new tape, or for convenient and rapid line up, there's a built in 1k/10k reference oscillator. It switches directly on the front panel to both left and right.

Trimmers for bias, equalisation and level are all available directly on the front panel. And further presets inside set all the playback parameters, including LF EQ trim. You set to perfection for any tape.

Output level is variable, and a switch below the master control selects SRL (standard reference level) output at the rear.

The reputation as the world's best selling professional two track precedes every Otari 5050 III. Every feature you expect from a mastering two track plus many specialised, proven features.

Available now in 2, 4 and 8 track formats. Call Garry Robson or Jon Ridel. and find out more about the new Otaris from Turnkey.