Otari MX-5050
MX-5050 B-IISpecs

MX-5050 B-II: specifications

Specifications for the B-II — the BII-2, BII-4, BII-F and BII-2E — with sources noted; this page prefers gaps over guesses. Not sure which machine you have? Start with Identify.

Three documents are held, and they come in two kinds. The OS3-038 instruction manual has Otari's full factory table for all four models. The 1983 brochure and the 1984 data sheet (BP6847K) are sales paper, and both print one specification: the two-channel machine's. They print the same one, figure for figure — the only change in the specification is that the 1983 brochure calls the ZA-52L a "roll-around pedestal" and the 1984 sheet a "roll-around stand". So on this page they count as one source.

The factory table↑ TOP

From the OS3-038 instruction manual, Table 1-3 — which the manual itself titles "Specifications of the MX-5050B Series":

ParameterOS3-038
Tape width and tracks¼″ (6.3 mm) tape: 2 tracks (0.079″, 2.0 mm), 4 tracks (0.040″, 1.0 mm) or full track (0.24″, 6.1 mm)
Tape speeds7½ and 15 ips, or 3¾ and 7½ ips; maximum deviation ±0.2% with 1.5 mil tape
Reel sizes7″ or 10½″ plastic or metal, EIA or NAB
Heads, BII-2Four stacks: 2T erase, 4T reproduce, 2T record, 2T reproduce
Heads, BII-44T erase, 2T reproduce, 4T record, 4T reproduce
Heads, BII-FFT erase, 2T reproduce, FT record, FT reproduce
Heads, BII-2E2T DIN erase, 4T reproduce, 2T DIN record, 2T DIN reproduce
MotorsCapstan: DC servo, pitch control ±7%. Reels: two induction torque motors
Operating positionVertical or horizontal
Line inputMinimum −15 dBm, active balanced 10 kΩ (floating); balanced 10 kΩ with optional transformer
Mic inputMinimum −70 dBm, active balanced, for 150 Ω to 10 kΩ mics; attenuator 0 dB, −20 dB or off
Line output+4 dBm or −10 dBm, rear panel switch selectable; active balanced, 5 Ω source; load more than 600 Ω; maximum +27 into 600 Ω
Headphone−24 dBm into 8 Ω; 8 Ω or greater
EqualizationNAB or IEC at all three speeds, switchable on the rear panel (calibration necessary)
Frequency response15 ips 30 Hz to 20 kHz; 7½ ips 20 Hz to 18 kHz; 3¾ ips 20 Hz to 10 kHz; all ±2 dB, on 3M 226
CrosstalkGreater than 55 dB at 1 kHz on adjacent tracks, 2-track and 4-track
Wow and flutter, NAB weighted15 ips less than 0.06%; 7½ ips less than 0.08%; 3¾ ips less than 0.12%
DistortionLess than 0.5% at 1 kHz at 250 nWb/m
Erase efficiencyGreater than 75 dB
Test oscillatorNominal 1 kHz and 10 kHz
Bias and erase frequency133 kHz
Power100/117/220/240 V ±10%, 50/60 Hz, single phase, 100 W
Operating environment40° to 104°F (5° to 40°C), 20 to 80% RH
Dimensions and weight527 mm (20.7″) high, 430 mm (16.9″) wide, 225 mm (8.8″) deep; 24 kg (53 lbs)
MountingDark grey leather-finished cabinet

Signal-to-noise, measured overall at 520 nWb/m; unweighted through a 30 Hz to 18 kHz filter, weighted through an NAB or ASA "A" filter with a 1 kHz reference:

Tape speedEQ2 track, weighted / unweighted4 track, weighted / unweightedFull track, weighted / unweighted
15 ipsNAB66 / 64 dB62 / 60 dB68 / 66 dB
7½ ipsNAB68 / 66 dB63 / 61 dB68 / 66 dB
3¾ ipsNAB66 / 64 dB62 / 60 dB66 / 64 dB
15 ipsIEC66 / 62 dB62 / 58 dB62 / 60 dB
7½ ipsIEC64 / 62 dB62 / 58 dB62 / 60 dB
3¾ ipsIEC64 / 62 dB62 / 58 dB62 / 60 dB

The BII-2E, the DIN version, sets its three record-level positions to 250, 320 and 520 nWb/m, where the sales sheets give the two-channel machine 185, 250 and 320.

Where the sales sheets and the manual disagree↑ TOP

The 1983 brochure and 1984 data sheet describe the two-channel machine, so the comparison is with the manual's 2-track column. Most rows agree: tape width, speeds and the ±0.2% deviation, the four-head layout, the ±7% pitch control, the input impedances, the 5 Ω output and its +27 maximum into 600 Ω, the 0.5% distortion limit at 1 kHz and 250 nWb/m (which the sheets call third harmonic, at 15 ips), and the 1 and 10 kHz test oscillator. The sheets add a 5″ reel size and a rewind time the manual does not give, and omit the manual's −15 dBm and −70 dBm input minimums. These rows do not agree:

1983 brochure and 1984 data sheetOS3-038
Signal-to-noise, unweighted, NAB72 / 72 / 70 dB, "3% Third Harmonic to noise floor"64 / 66 / 64 dB, at 520 nWb/m
Frequency response, 15 ips25 Hz to 22 kHz ±2.0 dB, at 0 VU30 Hz to 20 kHz ±2 dB
Frequency response, 7½ ips20 Hz to 20 kHz ±2.0 dB, at −10 VU20 Hz to 18 kHz ±2 dB
Frequency response, 3¾ ips20 Hz to 12 kHz ±2.0 dB, at −20 VU20 Hz to 10 kHz ±2 dB
Wow and flutterLess than 0.04 / 0.07 / 0.08%Less than 0.06 / 0.08 / 0.12%, NAB weighted
Crosstalk"Less than 55 dB" at 1 kHzGreater than 55 dB at 1 kHz
Power140 W100 W
Weight60 lbs (27 kg)24 kg (53 lbs)
MountingVinyl covered wood caseDark grey leather-finished cabinet

Speeds are given as 15 / 7½ / 3¾ ips throughout.

Frequency response is measured on the same tape — both documents name 3M 226 — and the sales sheets claim more at every speed, at the top of the band most of all. Signal-to-noise is not measured to the same reference: the manual refers its figures to a 520 nWb/m recording, the sales sheets to the level that gives 3% third harmonic distortion. The sheets do not say what flux that is, so the two cannot be put on one scale; the sheets' figures are 6 to 8 dB higher. The crosstalk row in the sales sheets reads "less than" where the manual reads "greater than" — for crosstalk only the manual's direction makes sense.

The sales sheets give the manual's maximum output as "+27 dB (ref. 0.775 V) into 600 Ohms or more". The manual prints the same figure as "+27 dBs", a unit that does not exist; the sheets' reference, 0.775 V into 600 Ω, is what makes it dBm. The 1984 sheet's feature list gives the output switch as +4 dBm or −10 dBV, where the manual says +4 dBm or −10 dBm.

Four-track, full-track and DIN machines↑ TOP

The sales sheets cover only the two-channel B-II, so for the BII-4, BII-F and BII-2E the manual's table is all there is: their head stacks, the 4-track and full-track signal-to-noise columns, the 55 dB crosstalk figure for 4-track, and the BII-2E's own record levels. The manual gives no separate power, weight or dimension figures for any of them.

For the tolerances a technician holds the B-II to, rather than the ones Otari advertised, see the 1988 alignment procedures — written for the B-II and the MKIII-2 together, and transcribed here in full.

Sources↑ TOP