MX-5050B: history
In the period press, 1978–1982↑ TOP
The B's public life as the trade press recorded it: launched in the summer of 1978, advertised by Otari and its dealers for four years, and still listed in studio equipment rosters and used-equipment columns long after the B-II replaced it. Every entry names its source and links to the transcription where one exists:
Aug 1978 · US
The launch: Otari's full-page ad for the "all-new MX-5050-B" promises "the best $3000 two channel recorder for under $2000" and holds the price at $1,795, "complete with Dc capstan servo". The servo, an option on the silver-face machine, is now standard, alongside TTL/IC logic, three calibrated record levels and three speeds in field-selectable pairs. Recording Engineer/Producer, August 1978
Oct 1978 · US
A second launch ad, "Birth of the two-track masterpiece. Otari MX5050·B.", with close-ups of the heads, the front-panel calibration trimmers and the rear panel. db, October 1978. The same month Otari pairs the B, as the two-track mixdown machine, with the half-inch MX-5050-8D in "Tracks to Glory": Recording Engineer/Producer, October 1978
Oct 1978 · UK
The UK launch: the same "Birth of the two-track masterpiece" advert, here for the "Otari MX5050-B2". Studio Sound, October 1978 (page 31 of the PDF).
Nov 1978 · UK
Studio Sound's news pages: Otari "has also introduced a completely new version of the popular MX-5050 series 2-channel professional recorder, the MX-5050-B which sells for the same price ($1,795)". Studio Sound, November 1978 (page 32 of the PDF).
Nov 1978 · US
Billboard's AES report prices it higher: "Otari showed its latest addition—the MX-5050-B at $1,945, with DC capstan servo, three speeds in field-selectable pairs (15/7½ or 7½/33/4)". The "33/4" is Billboard's misprint for 3¾. Billboard, November 18, 1978 (page 80 of the PDF).
Dec 1978 · US
Mix lists the "MX-5050-B TWO CHANNEL RECORDER" among its new products. Mix, December 1978
Feb 1979 · US
"THE BEST VALUE IN A PROFESSIONAL TAPE RECORDER": an all-text ad of measured performance (66 dB signal-to-noise, +24 dB headroom), front-panel alignment, and a list price of $1,945. The same copy runs into 1980. Recording Engineer/Producer, February 1979
Mar 1979 · US
Even the hi-fi press notices it: at a show, "Otari has an open-reel deck, the MX5050-B which also features automatic equalization adjustment". Audio, March 1979 (page 30 of the PDF).
May 1979 · US
Otari's pitch to broadcasters, with the B at the head of the line and the Mark II beside it. Broadcast Engineering, May 1979
June 1979 · USReview
The review: Modern Recording's Hands-On Report takes the B apart switch by switch, sets it against direct-to-disc in a listening test, and prints bench figures at both speeds. It is the only full review of the B found so far. Modern Recording, June 1979
July 1979 · UK
ITA's "OTARI from ITA" advert: a duplicating house's chief engineer on running £150,000 of gear from the MX5050B. Studio Sound, July 1979
Aug 1979 · US
"Once you get your hands on this machine . . . you'll see what we mean": the performance ad again, still at $1,945. Recording Engineer/Producer, August 1979
Oct 1979 · US
Two pitches in one month. To broadcasters, the ±7% servo is sold as a way to match program length to a time slot: db, October 1979. To studios, a two-page spread, "The Otari Machine": Recording Engineer/Producer, October 1979
Jan 1980 · US
The "best value" ad now reads "PRICE: Suggested retail price $2,050 (USA)." Mix, January 1980 (page 15 of the PDF).
Apr 1980 · US
High Fidelity's open-reel table sets the "Otari MX-5050B" at $2,050 beside the first-generation "Otari MX-5050-2SH" at $1,695, the B's remarks beginning "All features of 2SH". High Fidelity, April 1980 (page 113 of the PDF).
May 1980 · US
The "New Workhorse" campaign begins at the spring AES, with the MX-5050B in its optional CSLB cabinet: Billboard, May 10, 1980. The same month a reader asks about the B's microphone inputs, and learns they are high-impedance: Modern Recording, May 1980
June 1980 · US
Otari's line-up ad to broadcasters, "the New Workhorse", shows a 5050B and a Mark II-4 in optional cabinets: db, June 1980. A Milwaukee dealer lists the "OTARI 5050B Tape Machine" among the gear it installed at a 24-track studio: Recording Engineer/Producer, June 1980
June 1980 · UK
ITA's advert quotes a London studio owner, with a ten-point feature list that includes four heads for 2- or 4-track replay. Studio Sound, June 1980
July 1980 · US
A San Rafael dealer's ad, "The Machine That Sold the Salesman". Mix, July 1980
Sept 1980 · US
Mix's used-equipment guide dates the line, with the B range from August 1978, and Otari's own ad in the same issue prices the MX-5050B under $2500. Mix, September 1980
Oct 1980 · US
"Professional Performance With A Bottomline Benefit": the B sold on return on investment. Mix, October 1980
Nov 1980 · US
"It's The Best Selling Professional Tape Machine In The World." Mix, November 1980
Dec 1980 · UK
"OTARI MX5050B — the stereo recorder for the eighties.", with two Bs on wheeled stands and Cardiff Broadcasting named as a buyer. Studio Sound, December 1980. The same advert returns as "Doubly effective": Studio Sound, February 1981
Jan 1981 · US
"Dollars For dB's, It's The Best You Can Own." Mix, January 1981. In a console maker's ad the same month the B carries a "Suggested retail: $2,150." (Mix, January 1981, page 72 of the PDF); by July the same ad reads $2,295 (Mix, July 1981, page 2 of the PDF).
Apr 1981 · US
A St. Louis dealer pairs the B with the MTR-10. Recording Engineer/Producer, April 1981
Oct 1981 · US
"Still The Best Investment In A Professional Two Channel Tape Machine.", at a suggested professional net of $2,295.00. Recording Engineer/Producer, October 1981
Apr 1982 · US
Ethan Winer's two ways to widen the B's ±7% varispeed. Recording Engineer/Producer, April 1982
July 1982 · UK
The last Otari advertising for the B found: ITA's "3 Greats from Otari!", the MX5050B beside its successors, the four-track BQII and the half-inch Mark III-8. Studio Sound, July 1982
What it cost↑ TOP
Every B price the period press printed, as printed. The US prices are list or suggested retail for the two-channel machine.
| Date | Market | Price as printed | Source |
|---|---|---|---|
| Aug 1978 | US | $1795, "complete with Dc capstan servo" | R-e/p, August 1978 |
| Nov 1978 | UK news | "the same price ($1,795)" | Studio Sound, November 1978, PDF p.32 |
| Nov 1978 | US show report | $1,945 | Billboard, November 18, 1978, PDF p.80 |
| Feb 1979 – Oct 1979 | US | $1,945 | R-e/p, February 1979 |
| Jan 1980 | US | $2,050 | Mix, January 1980, PDF p.15 |
| Sept 1980 – Jan 1981 | US | "less than $2500" | Mix, November 1980 |
| Jan 1981 | US | $2,150 | Mix, January 1981, PDF p.72 |
| July 1981 | US | $2,295 | Mix, July 1981, PDF p.2 |
| Oct 1981 | US | $2,295.00, "suggested professional net" | R-e/p, October 1981 |
The two November 1978 figures disagree: Studio Sound repeats the launch price, while Billboard's AES report already gives the $1,945 that Otari's own ads print from February 1979.
After the B-II↑ TOP
Otari's own advertising for the B stops in 1982, but the machine stays in print for years. From 1980 to 1984 studio directories and "studio update" columns list the "5050B" among the equipment studios owned: db reports a school edit lab "equipped with 15 Otari 5050B two-track machines" (September 1982, page 55 of the PDF), and a facility with "17 Otari MX5050B's" (October 1983, page 53 of the PDF).
It also enters the used market. A dealer's second-hand list offers an "Otari MX5050B" at £700 in March 1983, "taken in part exchange, and ... overhauled in our workshops" (Studio Sound, March 1983, page 8 of the PDF), and an "OTARI 5050B, perfect" at £825.00 in May 1984, beside an ex-demo B2-II at £1,150.00 (Studio Sound, May 1984, page 101 of the PDF). US classifieds in Mix and Modern Recording offer used Bs through 1983 and 1984.
Sources↑ TOP
Every sighting behind this page, 426 in all, is in the research dossier; the ones with their own page are in the Period Press library.
Transcribed
- Recording Engineer/Producer, August 1978: the launch ad
- db, October 1978: "Birth of the two-track masterpiece"
- Recording Engineer/Producer, October 1978: "Tracks to Glory"
- Mix, December 1978: new products
- Recording Engineer/Producer, February 1979: "The best value"
- Broadcast Engineering, May 1979: broadcast recorders
- Modern Recording, June 1979: the Hands-On Report
- Studio Sound, July 1979: "OTARI from ITA"
- Recording Engineer/Producer, August 1979: "Once you get your hands on this machine"
- db, October 1979: the broadcast recorder
- Recording Engineer/Producer, October 1979: "The Otari Machine"
- Billboard, May 10, 1980: "As Good As You Are."
- Modern Recording, May 1980: "Intriguing Transformer"
- db, June 1980: "the New Workhorse"
- Recording Engineer/Producer, June 1980: Soundtrek Studios
- Studio Sound, June 1980: ITA's studio-owner advert
- Mix, July 1980: "The Machine That Sold the Salesman"
- Mix, September 1980: the used-equipment guide and Otari's ad
- Mix, October 1980: "Bottomline Benefit"
- Mix, November 1980: "The Best Selling Professional Tape Machine"
- Studio Sound, December 1980: "the stereo recorder for the eighties"
- Mix, January 1981: "Dollars For dB's"
- Studio Sound, February 1981: "Doubly effective"
- Recording Engineer/Producer, April 1981: Antech Labs
- Recording Engineer/Producer, October 1981: "Still The Best Investment"
- Recording Engineer/Producer, April 1982: the varispeed modification
- Studio Sound, July 1982: "3 Greats from Otari!"
Quoted on this page
- Studio Sound, October 1978, PDF p.31: the UK launch advert
- Studio Sound, November 1978, PDF p.32: news
- Billboard, November 18, 1978, PDF p.80: AES report
- Audio, March 1979, PDF p.30: show report
- Mix, January 1980, PDF p.15: $2,050
- High Fidelity, April 1980, PDF p.113: open-reel table
- Mix, January 1981, PDF p.72, and July 1981, PDF p.2: console ads with the B's price
- db, September 1982, PDF p.55, and October 1983, PDF p.53: studio rosters
- Studio Sound, March 1983, PDF p.8, and May 1984, PDF p.101: used prices